I finished basting the monk's cloth over the holiday weekend.
I did the scraps too.
Now I have to wash it. I'll put it in the machine in a mesh bag with cold water on delicate cycle. After that, I can finally measure it and determine how much yarn I'll need. Before I can start stitching, however, I'll have to remove the basting along the long edges and press and hem them permanently.
I'm never buying monk's cloth again. There's entirely too much preparation, and the stuff doesn't look very durable. My next big Swedish weaving project will be done on an afghan-sized piece of aida.
I did a bit on Bright Feathers.
I did a bit on Bright Feathers.
I finished the George and Ringo coasters.
I got the top and bottom binding strips done on Paul.
And I basted John together and started the quilting.
Also, thanks to an article in the Jan./Feb. 2012 issue of Just CrossStitch about Lynda Keske of Keslyn's I now have a name for the type of needlework in my Web design. It seems that I've reinvented symmography, a.k.a string art, except that I'm stitching it on evenweave rather than wrapping thread around nails. Lynda Keske stitches her designs on fabric too, and she calls her technique sym-stitching. I think I'll just call mine symmography so as not to co-opt her term.
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Sorry about the captcha, folks, but when I turned it off I got a ton of spam. Also, all comments are moderated to prevent any internet nastiness. However, I'd love to hear from nice people who don't have anything to sell. :)